Cassette mate records via usb in mono full#

I think that having stereo built-in mics is great as it makes the process of capturing inspiration extremely simple. This is in keeping with the 'solo artist' nature of the R8. Input 2 is almost identical, except the input switch is two-position with the choice of mic/line or built-in mic - there's no instrument option on input 2. There's also an input on/off switch, gain control, and peak indicator to help with setting levels. There are two built-in mics so you can actually record stereo they're located at the lower left and right on the front panel. If you choose built-in mic, it precludes using the rear-panel inputs - you can't mix the built-in mics with other signals. Input 1 has a three-position switch for Hi-Z input, mic/line (it chooses the appropriate level depending on whether something is plugged into the XLR or 1/4' jack, and built-in mic. Phantom power is global for the two inputs you can't enable them separately. The two inputs are combo jacks, with both XLR and 1/4' connectors. We touched briefly on the inputs but let's get into more details, as well as delve further into the I/O. It's difficult to know where to begin with the R8 as there are so many functions, but we'll begin with evaluating the process of recording some tracks. There are also dedicated buttons to call up functions.ДЄnd, the Transport section also offers quite a few buttons to get around a project, and this is also where you'll find a data wheel and the standard cursor navigation buttons. With a lot of these units, there can be operations like 'To start the metronome, hold down the Volume and Rewind controls, then press the Kick Drum pad.' A lot of the ease of use is due to the display, which can contain quite a bit of information. Incidentally, if it looks like the unit is covered with fine dust in the photos, that's not the case rather than being solid black, the case a sort of silver, speckled effect.ДЄlso surprisingly, navigation is relatively painless. The SD card doesnвЂ™t stick out the side, but is safely recessed. Yet the buttons have a positive, solid feel and вЂњclickвЂќ for tactile feedback (except for the velocity-sensitive mini-pads, of course note that there are dedicated buttons for the various drums).ДЄnd although the faders are only 40mm long they feel smooth, with virtually no вЂњwobble.вЂќ Even the included USB cable is over 6 feet long (cell phone manufacturers, take note!). Given the price, I expected the R8 to feel cheap. Speaking of power, you can run the R8 off USB, an included (non-proprietary) AC adapter, or four AA batteries.

Cassette mate records via usb in mono full#

Not only does the R8 have phantom power for the two XLR/line combo ins (with one switchable to instrument), but you can choose between +24V to save power (which works with most condenser mics) or +48V if your mic needs full power. Here's an example of the attention to detail regarding the inputs. There are time-stretching algorithms, the control surface section is Mackie Control-compatible, and there are built-in mics so you can capture ideas without plugging in anything. Let's start with an overview, then get into the details in subsequent posts.Д«eyond those basics, though, this is a very deep unit, especially given the price (around $300 street) and compact size. If you donвЂ™t dig any deeper than that, you have a very portable, fine-sounding field recorder/inspiration catcher/rehearsal archiver.

However, it also incorporates a USB 2.0 audio interface, control surface, and sampler (with an emphasis on drums and loops). The R8 is a 'do-all' recorder that records to SD cards (up to 32GB).